000			03507cam a2200385 4500
001			2236387
005			20221016021840.0
008			700910s1970 nyuach b 001 0 eng
010			_a 76120111
020			_a0812813189
020			_a812813227
040			_aDLC _cDLC _dDLC
043			_an-us---
050	0	0	_aML 1055 _b.D59 1970
082	0	0	_a338.4/7/78991
100			_aOliver, Paul _96422
245	0	0	_aRecording the blues / _cRobert M. W. Dixon and John Godrich.
260			_aNew York, NY _bStein and Day, _c1970
300			_a109 pages : _bblack and white portraits ; _c20 cm.
490	0		_aThe Blues series
500			_aThis text includes black and white portraits of the musicians profiled in the work, and also includes images of contemporary advertisements, record sleeves, and relevant maps.
504			_aIncludes bibliographical references (page 108) and index.
505	0		_aBirth of an industry -- The new market: 1920-1922 -- The classic blues: 1923-1926 -- Into the field: 1927-1930 -- Hard times: 1931-1934 -- Urban blues: 1934 -1940 -- End of an era: 1941-1945 --
520			_a"The Blues series examines important blues singers and musicians, local styles and traditions, subjects and themes, and the history and influence of this living music. The books are written by acknowledged authorities in the field and are of importance to enthusiasts of modern musical idioms, sociologists and folklorists, and students of the popular arts. Each book in the series is extensively illustrated with historic and recent photographs and printed ephemera, many previously unpublished, supported by maps, discographies, and bibliographies." -- From the book jacket.
520			_a"Early in 1920 the General Phonograph Corporation issued, for the first time, popular songs performed by a black girl. The success of this record made the industry aware of a vast, untapped market black Americans were eager to buy records by artists of their own race. Two or three record companies immediately began systematic recording of blues singers, gospel quartets, and the like, numbering the discs in special series that came to be called 'Race Series.' They sold so well that other companies entered the field and soon every blues singer who had ever appeared on a singer stage had also made her contribution in the recording studios. The companies began to look further afield . Many made field trips to the south, recording itinerant rural blues singers, guitar evangelists and shouting black preachers. By the later twenties these 'Race Records' - which sold to an entirely black market - were about as far removed as is possible from white America's popular music of the day. ... Pop music has drawn on blues material, on tunes and styles that were featured in the race series. In this book we examine the content of the race series during the period 1920-1945; the ways in which the companies discovered talent, how they recorded the singers and how they marketed the records" -- From the forward.
650		0	_aSound recording industry _zUnited States. _94766
650		0	_aBlues (Music) _xHistory and criticism. _94767
650		0	_aBlues (Music) _xDiscography. _94768
700	1		_aDixon, Robert M. W., _eauthor _94769
700	1		_aGodrich, John, _eauthor _94770
856	4	1	_uhttps://archive.org/details/RecordingTheBlues/mode/2up _zInternet_OpenLibrary
906			_a7 _bcbc _corignew _d2 _encip _f19 _gy-gencatlg
942			_2lcc _cBOOKS
999			_c1036 _d1036