TY  - BOOK
AU  - Kessler-Harris,Alice
TI  - A difficult woman: the challenging life and times of Lillian Hellman 
SN  - 9781596913639 (hardback)
AV  - PS 3515 .E343 Z74 2012
U1  - 812/.52B 22
PY  - 2012///
CY  - New York
PB  - Bloomsbury Press
KW  - Hellman, Lillian,
KW  - Dramatists, American
KW  - 20th century
KW  - Biography
KW  - Playwriting
N1  - Includes bibliographical references (pages [361]-429) and index; 1. Old-fashioned American traditions -- 2. A tough broad -- 3. A serious playwright -- 4. Politics without fear -- 5. An American Jew -- 6. The writer as moralist -- 7. A self-made woman -- 8. A known communist -- 9. The most dangerous hours -- 10. Liar, liar -- 11. Life after death
N2  - "Lillian Hellman was a giant of twentieth-century letters and a groundbreaking figure as one of the most successful female playwrights on Broadway. Yet the author of The Little Foxes and Toys in the Attic is today remembered more as a toxic, bitter survivor and literary fabulist, the woman of whom Mary McCarthy said, "Every word she writes is a lie, including 'and' and 'the.'" In A Difficult Woman, renowned historian Alice Kessler-Harris undertakes a feat few would dare to attempt: a reclamation of a combative, controversial woman who straddled so many political and cultural fault lines of her time. Kessler-Harris renders Hellman's feisty wit and personality in all of its contradictions: as a non-Jewish Jew, a displaced Southerner, a passionate political voice without a party, an artist immersed in commerce, a sexually free woman who scorned much of the women's movement, a loyal friend whose trust was often betrayed, and a writer of memoirs who repeatedly questioned the possibility of achieving truth and doubted her memory. Hellman was a writer whose plays spoke the language of morality yet whose achievements foundered on accusations of mendacity. Above all else, she was a woman who made her way in a man's world. Kessler-Harris has crafted a nuanced life of Hellman, empathetic yet unsparing, that situates her in the varied contexts in which she moved, from New Orleans to Broadway to the hearing room of HUAC [House Un-American Activities Committee]." -- from Amazon.
UR  - https://archive.org/details/difficultwomanch0000kess
ER  -